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VDMX
Manuals & Downloads
Open Source
  • Introduction

    • Welcome to VV Edu
    • Course Requirements
  • Live Visuals 101

    • Course Overview

      • Introduction to Live Visuals
      • Course Sessions
      • Teacher Notes
    • 1. Intro to Live Visuals

      • 1-0: Intro to Live Visuals Overview
      • 1-1: Input to Output
      • 1-2: Responsiveness
    • 2. Montage

      • 2-0: Montage Overview
      • 2-1: The Cut
      • 2-2: Rhythmic Sequence
      • 2-3: Cinéma Pur
    • 3. Motion Design

      • 3-0: Motion Design Overview
      • 3-1: Stills to Motion
      • 3-2: Color and Choreography
    • 4. Visual Music

      • 4-0: Visual Music Overview
      • 4-1: Abstract Visualization & Color Organs
      • 4-2: Audio Visualizers and the Shape of Sounds
      • 4-3: Generative Patterns
    • 5. Aesthetic Design

      • 5-0: Aesthetic Design Overview
      • 5-1: Styling Your Look
      • 5-2: Mood boards & Storyboarding
    • 6. Show and Event Production

      • 6-0: Show and Event Production Overview
      • 6-1: Pre-Production and Show Design
      • 6-2: Technical Riders and Contracts
      • 6-3: Getting Gig Ready
  • Reference

    • Glossary
    • Bibliography

Montage / Lesson 3 / Cinéma Pur

From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects (fades, dissolves, split screens, double and triple exposures) dance and music.

The Cinéma Pur movement was to create a cinema that focused on the pure elements of film like motion, light, visual composition, and rhythm. It was begun by European filmmakers René Clair, Fernand Léger, [Hans Richter](https://en.wikipedia.org/wiki/Hans_Richter_(artist), Viking Eggeling, Walter Ruttmann, Man Ray and Marcel Duchamp. Often these abstract art films showed patterns in motion, creating visually pleasing or intriguing compositions that reflected cinema’s essential power. Films like Man With A Movie Camera, Ballet Mécanique, Symphony Diagonale, and Berlin: Symphony of a Great City are quintessential examples of Cinéma Pur.

For this exercise, you will experiment with the layering of indexical material to create new visual associations and meanings using a select range of optical effects. Experiment superimposing contrasting imagery — abstract and realistic, light and dark, graphic and photographic, fast and slow, human and machine. Be prepared to discuss the emergence of this third image with a statement of intent.

Lecture Videos

  1. Cinéma Pur: History and basic concepts

(Cinéma Pur Lecture Video)

  1. Cinéma Pur: Layer Composition Basics

(Layer Composition Basics Demonstration)

Lecture Notes

(Cinéma Pur Lecture Slides

Reference Links

  • Cinéma Pur
  • Man With A Movie Camera
  • Five wonderful effects in Man with a Movie Camera
  • ‘Recent Arts’ from Valentina Berthelon and Tobias Freund
  • Entr'acte (René Clair, 1924): Opening scene
  • L'Etoile de Mer (Man Ray, 1928)
  • What is a Matte painting?

Resources

  • Luma Key Mixer and Example Media

Related Tutorials and Case Studies

  • HERMAN KOLGEN / SEISMIK
  • Luma Key Techniques for Layer Composition
  • The Layer Mask FX
  • Chroma Key Basics
  • How to apply an FX to only part of a layer

Homework

Assignments

  1. Record and import three, 30-second clips using your preferred camera.
  2. Find or create three hi-con images
  3. Create three ~30 second montage sequences with various audio tracks
  • Layer Opacity
  • Layer Mode (Add, et al)
  • Layer Mask (still or moving)
  1. Using longer clips as a backing track and mixing in elements over it.
  2. Using clips with high motion vs slow motion, motion in different directions.

Notes:

  • Recordings for these assignments can be in h.264.
  • Use ProRes if you plan to use them for further editing in Final Cut Pro, Resolve, After Effects, etc.

Review Questions and Further Discussion

  1. What is Cinéma Pur?
  • Story/Narrative Reduction
  • Dziga Vertov, Man with a Movie opening shot
  • Film / cinema as an art form separate from literature / theater
  • Signature techniques include:
    • Stop motion
    • Slow motion
    • Sped up film
    • Timelapse
    • Trick shots
  1. Introduction to Composition
  • Mixing
  • Fading
  • Additive vs Overlay
  • Transparency / Alpha channels
  • Masking
    • Luma Key (brightness)
    • Chroma Key (color)
  • Mattes
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2-2: Rhythmic Sequence