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VDMX
Manuals & Downloads
Open Source
Home
VDMX
Manuals & Downloads
Open Source
  • Introduction

    • Welcome to VV Edu
    • Course Requirements
  • Live Visuals 101

    • Course Overview

      • Introduction to Live Visuals
      • Course Sessions
      • Teacher Notes
    • 1. Intro to Live Visuals

      • 1-0: Intro to Live Visuals Overview
      • 1-1: Input to Output
      • 1-2: Responsiveness
    • 2. Montage

      • 2-0: Montage Overview
      • 2-1: The Cut
      • 2-2: Rhythmic Sequence
      • 2-3: Cinéma Pur
    • 3. Motion Design

      • 3-0: Motion Design Overview
      • 3-1: Stills to Motion
      • 3-2: Color and Choreography
    • 4. Visual Music

      • 4-0: Visual Music Overview
      • 4-1: Abstract Visualization & Color Organs
      • 4-2: Audio Visualizers and the Shape of Sounds
      • 4-3: Generative Patterns
    • 5. Aesthetic Design

      • 5-0: Aesthetic Design Overview
      • 5-1: Styling Your Look
      • 5-2: Mood boards & Storyboarding
    • 6. Show and Event Production

      • 6-0: Show and Event Production Overview
      • 6-1: Pre-Production and Show Design
      • 6-2: Technical Riders and Contracts
      • 6-3: Getting Gig Ready
  • Reference

    • Glossary
    • Bibliography

Visual Music

Abstract visualizations, or “visual music”—generative patterns and audio responsive graphics that have a direct symbiotic relationship between image and sound—can evoke a sense of space, environment, rhythm and illuminate concepts in performance without representational imagery. In a live context of improvised music and improvised visuals, abstract visualization allows music and image to be partners in the creation of an aesthetically meaningful shared experience.

Visual music is an art form inspired by and in some cases driven by synaesthesia—the production of a sense impression relating to one sense or part of the body by stimulation of another sense or part of the body. In common cases of synaesthesia, a person will associate a sound with a color.

There is a theory that we are all synesthetes on some level. Take for instance Booba/Kiki effect, a non-arbitrary mapping between speech sounds and the visual shape of objects. This suggests that the human brain somehow attaches abstract meanings to the shapes and sounds in a consistent way.

Lesson 1: Abstract Visualization / Color Organ

Abstract Visualization / Color Organ

The synaesthetic relationship between sound and vision continues to be explored by scientists artists working today. “Color scales,” dating back to Isaac Newton, attempt to scientifically correlate musical scales with colors. ”Color Organs,” instruments that generate colors based on notes, date back to the 1850s and continue to be developed. Wassily Kandinksy, one of the founders of non-objective painting, went so far as to create a color code for sounds. He intended for his pieces to be both seen and heard, titling them as “compositions.”

This week, we will create a shape-based color organ, creating and performing forms and colors that represent specific sounds using our inner synesthete.

Lesson 2: Audio Visualizers and the Shape of Sounds

Audio Visualizers and the Shape of Sounds

As discussed in Stills To Motion module, we are hardwired to find patterns in shapes that are similar and arranged closely together. In this module, we can explore pattern making as a synaesthetic device, influencing the frequency, amplitude and continuity of repetitive shapes and images to rhythmic effect.

Lesson 3: Generative Patterns

Generative Patterns

As discussed in Stills To Motion lesson, humans are hardwired to find patterns in shapes that are similar and arranged closely together. In this module, we can explore pattern making as a synaesthetic device, influencing the frequency, amplitude and continuity of repetitive shapes and images to rhythmic effect.

Next
4-1: Abstract Visualization & Color Organs