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VDMX
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VDMX
Manuals & Downloads
Open Source
  • Introduction

    • Welcome to VV Edu
    • Course Requirements
  • Live Visuals 101

    • Course Overview

      • Introduction to Live Visuals
      • Course Sessions
      • Teacher Notes
    • 1. Intro to Live Visuals

      • 1-0: Intro to Live Visuals Overview
      • 1-1: Input to Output
      • 1-2: Responsiveness
    • 2. Montage

      • 2-0: Montage Overview
      • 2-1: The Cut
      • 2-2: Rhythmic Sequence
      • 2-3: Cinéma Pur
    • 3. Motion Design

      • 3-0: Motion Design Overview
      • 3-1: Stills to Motion
      • 3-2: Color and Choreography
    • 4. Visual Music

      • 4-0: Visual Music Overview
      • 4-1: Abstract Visualization & Color Organs
      • 4-2: Audio Visualizers and the Shape of Sounds
      • 4-3: Generative Patterns
    • 5. Aesthetic Design

      • 5-0: Aesthetic Design Overview
      • 5-1: Styling Your Look
      • 5-2: Mood boards & Storyboarding
    • 6. Show and Event Production

      • 6-0: Show and Event Production Overview
      • 6-1: Pre-Production and Show Design
      • 6-2: Technical Riders and Contracts
      • 6-3: Getting Gig Ready
  • Reference

    • Glossary
    • Bibliography

“Live” Visuals / Lesson 1 / Input To Output

Lesson Overview

In this lesson we will explore the three most basic parts of our VJ toolkit – inputs, filters and outputs.

  • The inputs, or sources, are the materials that contain the content of our work, whether they be pre-rendered files, live feeds or real-time computer generated visuals.

  • This imagery is then processed by “filters” also commonly known as effects or FX, which modify the stream of pictures to change the aesthetics and overall feeling associated with them.

  • Finally the result is sent to a place where it can be viewed, output to a screen, projector, a movie file on a hard drive or streamed to the Internet.

One of the most powerful aspects of working with “live” video is the ability to experiment with the addition of live-camera feeds into your project. Consider how the live presence of your face/body influences the meaning of your imagery. You are now part of the subject matter, so consider your relationship to the pre-existing forms.

Lecture Videos

  1. Introduction to live visuals: History and basic concepts

(Input to Output Lecture Video)

  1. Introduction to making live visuals: Using VDMX

(Input to Output Demonstration Video)

Lecture Notes

(Input to Output Lecture Slides)

Reference Links

Artists / Videos:

  • Nam June Paik - Videofilm Concert
  • Coldcut – Timber
  • Emergency Broadcast Network – We Will Rock You

Setup Guides:

  • Recommended video codecs for VDMX
  • Converting media files to HAP
  • Video codec usage comparisons and benchmarks
  • Guide to Projectors for Interactive Installations
  • Guide to Cameras for Interactive Installations

Further Reading:

  • What's In A GIF?
  • How does analog video work?

Downloads

Sample Media:

  • Sample Media files: Movie files for this lesson.
  • VDMX Sample Media files: More free sample movies.

Utility Apps:

  • The AVF Batch Exporter: Batch converter.
  • Project Milk Syphon: Free audio visualizer tool.

Related Tutorials and Case Studies

  • Video Fundamentals: Media Types
  • Using the Simple Player template
  • Video Input Basics
  • Recording movies in VDMX
  • Recording movies from cameras in VDMX
  • Fullscreen output
  • Recording movies for upload
  • Using an iOS Device as a Live Camera Source in VDMX
  • Creating video feedback loops in VDMX
  • Using Lumen and VDMX together with Syphon with guest Wiley Wiggins
  • DMX Controlled Shobaleader One Face Masks

Homework

Assignments

  • Record 5 clips using a live web-cam with different sets of FX applied.
  • Connect to an external display (such as a projector, TV or monitor) using an HDMI, DVI, VGA or similar connection.

Review Questions and Further Discussion

  1. What are visuals?

A historical context:

  • Light projections
  • Theater
  • Film
  • Video
  1. What is video? What is a video signal?
  • How is video different from film?
  • Analog (eg NTSC, PAL) vs Digital
  • How is video transmitted and stored?
    • Types of cables (RCA, BNC, HDMI)
    • Physical media (VHS, DVD, BluRay, film)
    • Digital files (.mov, .mkv, .avi)
  1. What is a media codec?
  • How do image / video codecs work?
  • What image / video codecs are commonly used today?
  • What is video videoinstrumentalism?
  1. Inputs / Sources:
  • Pre-rendered files
  • Interactive generators
  • Live feeds
  1. FX and Composition:
  • Adding filters between input and output
  • Adding layers
  • Adjusting layer opacity and blend modes
  1. Outputs:
  • Fullscreen output
  • Recording movies
    • Capture to h.264 for uploads to YouTube, Vimeo
    • Capture to PhotoJPEG / HAP for live remixing
    • Capture to ProRes for usage in NLE (Final Cut, Avid, Resolve, etc) or archival purposes
  • Perspective correction
  • Using projectors / displays
  • System Settings: Displays
  • Color calibration
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1-0: Intro to Live Visuals Overview
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1-2: Responsiveness